I'm not really by nature a pop song composer. I'm a fugue and symphony guy, so I had to venture into slightly unfamiliar territory to do this. I've done a few before, but not whole heap tons of 'em.
So this last week or so has been something of a learning experience. Not only did I write that walking song, but I also made some demo-ish recordings of it and several other popular songs that have been sitting on the back burner. First, let me give you a glimpse inside the Empty Pocket Studios . . .
Please note carefully the expensive recording equipment dangling off the music stand. If it looks like something you might expect to see someone wearing in your finer Midwestern truckstops, it is. It's the headset off my low-budget smarty phone. And the cymbal is the same frying pan lid I played when I was four or five and climbing in and out of my mom's kitchen cabinets. Yeah, the instruments are real enough, and yeah, they mostly cost more than a microphone, so maybe my priorities are misplaced, but . . . well . . . whoopsie daisy. Emptied my pockets buying things that make noise and had nothing left for things that detect noise.
I'll try to give these other pieces proper posts of their own later, but we're here to talk about protest. I'd been struggling with what to write until I looked over at my wall.
This is a painting by a friend of mine, Kerry Hirth, called "The Unfortunate Rake." My progress has been slightly more tangential to Bedlam than directly towards it, but this could well have been me at several points in my life. Still, Kerry insists there's no connection. Instead, she reports that it's based on a piece of music by the same title. An Irish fiddle tune, I believe she said.
Kerry has an interesting way of sensing the world around her. She strongly associates colors and harmonies. She can literally see the colors in a piece of music. This is a form of what's called synesthesia. I don't want to get into the technical woods here, as it's complicated, not my specialty, and there's quite a bit of debate anyway. Suffice it to say, however, that while somewhat rare, there's quite a history of it among famous artists and musicians alike. Kerry uses it as the basis of many of her paintings.
I, on the other hand, am not one of those synesthetic artists. I appreciate where she's coming from, and I'm darned interested to see what she sees when she hears my music, but to me, it looks more like an odd rainbow than music. I looked at it and I thought . . . rainbows: "The colors of the rainbow are hanging on my wall. The colors of the rainbow, don't ever let them fall."
So there it was, the beginnings of a song about rainbows. That's a good start. Of course, my wall was a little specific, so I worked to generalize the chorus a little better and wrote some verses for the details largely cribbed from the life stories of friends with some small artistic license. The stories are mostly painted in pretty broad strokes that would doubtless be similar to lots of folks. (Actually, a couple apply equally to several of my friends. Everything but the raft episode is pretty general, and that's the one I changed the most anyway.)
Without further ado, let me present to you the "Rainbow War Song":
. . . . .
The Colors of the Rainbow
When I was a young man I felt I walked alone,
A shining spot of color in a world of monochrome.
I fought to be my own man, to sing a different tone.
Little did I know then of the shining rainbow home.
The colors of the rainbow are standing proud and tall.
Each color of the rainbow, don't ever let one fall.
Let the people of the rainbow sing of peace and harmony
Know that if we march together our colors can be free.
Each person of the rainbow has a place inside the whole.
We will carry one another to reach our rainbow goal.
My friend, she was a young girl trapped inside a stranger's skin.
The preachers at the churches told her changing would be sin.
But she found the rainbow nation and she learned a different way.
The great big rainbow family had a different way to pray.
Let me tell you of my old friend and his tremendous craft;
To escape from fire and flooding he built himself a raft.
By the light of our great rainbow he sailed across the sea
To a land of milk and honey he builds with you and me.
The young woman fled the jungle where the war had taken hold.
She paid the price for transport with eight pieces made of gold.
In the belly of the trawler she was smuggled 'cross the sea
To the shining rainbow nation where her colors can be free.
. . . . .
There is, of course, an audio version recorded by some half competent singer and pianist. (Maybe even three quarters competent if he would ever practice, but he did not.) This is really just demonstration grade stuff, not actual performance grade. Empty Pocket is largely empty of sound equipment, so I didn't invest that much time in the recording. The idea is to get this piece at least out there so folks as need it can use it and perhaps add their own verses if they so choose.
Anyway, so that's my last week or so. Thank you for listening.