The first piece, Study No. 8: "Scherzo," plays with a heavy front loaded double dotted rhythm in the Russian style and some "black key/white key" games in something of the manner of early Stravinsky, which is to say the left hand and right hand aren't always in the same key precisely. Stravinsky sometimes called such pieces "scherzi" or jokes, so I've taken that title.
At this point I started to get a bit more daring with my video production. (Marginally.) For the next piece, Study 10: "Something Jazzy," I decided to use that distinctly American style of splashy signage which is roughly coaeval with the music I wished to evoke.
I should, perhaps, confess that I actually shot this next video before the one above. But it is a much more complex and ambitious experiment. It accompanies a piece called Study 13: "Slate Grey Skies," to which end I felt obliged to play with light in more complicated ways. It doesn't precisely tell a story, but I hope it evokes a strong mood. I have particular adjectives in mind, but I will leave it to you, dear listener, to name them.
Lastly I wrap up with a simple but playful piece called Study 14: "Syncopated Rhythm." It's quite short, so there aren't any fancy cinema tricks here. Just a pianist. In a hat.
I did also record a few pieces by other composers. Since I, of course, play other people. Several of them can be found on the youtube channel. Along with other sorts of endeavors entirely. But I will wrap up there for now. Thank you for following along.